GENCHO NAKEV

… [T]he world is too much with us, and we are too much with ourselves. We need sometimes to escape into open solitudes, into aimlessness, into the moral holiday of running some pure haphazard, in order to sharpen the edge of life, to taste hardship, and to be compelled to work desperately for a moment at no matter what.

 

. . . The most prosaic objects, the most common people and incidents, seen as a panorama of ordered motions, of perpetual journeys by night and day, through a hundred storms, over a thousand bridges and tunnels, take on an epic grandeur, and the mechanism moves so nimbly that it seems to live. It has the fascination, to me at least inexhaustible, of prows cleaving the water, wheels turning, planets ascending and descending the skies: things not alive in themselves but friendly to life, promising us security in motion, power in art, novelty in necessity.